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The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.
Never underestimate the intern. That’s one take-home message from Cleverman, the six part drama series that premieres at the Berlinale Film Festival before its ABC TV debut later this year.
Producer John Molloy talks about tapping into the nation’s nostalgia with Channel 7’s new miniseries Molly.
Written and wrapped at breakneck speed, script producer Timothy Hobart talks about the ride that has been Wanted and why we need more shows like it.
When Molly airs, it will kick off another year of miniseries based on the lives of Australian personalities – a trend that isn’t showing signs of slowing.
Step inside the gated home of Sydney’s new millionaires and see what all the fuss is about with Here Come the Habibs.
Here’s a dozen times Australian locations became their own pivotal characters in television.
Epic genre series Cleverman is selected for Berlinale, not only commending the quality of Indigenous storytelling, but changing attitudes toward television too.
A new generation of Aussies are flocking to the web to create fearless, gut-busting comedy, and grabbing the attention of decision-makers and fans alike.
Diversity shouldn’t be the central focus of a series, but simply exist within a moving, engaging and universal story, says Tony Ayres, producer of SBS series, The Family Law.
Ben Law’s memoir is the basis for new TV series, The Family Law, which follows 14-year-old Ben over one particular summer when his parents separate.
As audiences fragment, TV markets become increasingly global and the cost and risk of creating home-grown television increases, Screen Australia's role in supporting locally-made series is more vital than ever.