×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Screen Australia’s Premium Fund is allowing established creators to hone their craft, and for Adele Vuko, expand ideas.
An analysis of three years of sales and distribution deals.
Funding models open doors for emerging and established creators.
Actress Essie Davis discusses the complex characters and unique locations in Foxtel’s gothic four-part series Lambs Of God.
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Look back on some of the best Australian screen stories and industry moments of 2018, and get a sneak peek at what’s to come in 2019.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.