Screen Australia’s Development staff are holding explainer sessions for the new Enterprise program.
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Ten years after its first iteration, Screen Australia’s hugely successful industry development program Enterprise will return in 2019.
Through our annual grant program, the HFPA helped non-profit group Australians in Film to support IndigenousLA, a program to bring Indigenous filmmakers to Hollywood for the first time, to expand their career.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Screen Australia’s annual Drama Report released today shows a record high expenditure on home grown stories, with $718 million spent on local productions, up 7% on last year.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.