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Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Screen Australia has today released a report marking 10 years since the introduction of the Producer Offset – the tax rebate for eligible Australian works.
Doctor Doctor and Wentworth actor Nicole da Silva says the industry has changed, audiences are smarter, and our stories are all the better for it.
How The Secret Life of Us, a series created 16 years ago, led to Network Ten’s anticipated new drama Sisters.
Some of the biggest challenges of the review acutely apply to children’s content including out-of-date regulation, market failure and commerce vs culture.
It’s only fair that Australian content rules are applied more evenly to more platforms; what happens to quotas is the big question.
Many want the Government to stop cutting Screen Australia funding but few ask what might happen if more money goes to production via other means.