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Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Co-production treaties, low wages, poor mental health, inadequate training, foreign workers and intellectual property are all raised in submissions.
Sweet Country has premiered in Venice to critical acclaim and a standing ovation but director Warwick Thornton is just relieved that people have finally seen the film.
Venice Film Festival jury member David Stratton speaks from Italy about Warwick Thornton’s Sweet Country, his reviewing career, his greatest achievements and his earliest movie memory.
Aquarius Films producer Angie Fielder talks about the company expanding from features such as Lion and Berlin Syndrome into TV with Stan’s Matt Okine comedy The Other Guy.
Arclight producer Gary Hamilton on getting horror director Greg McLean on board for their survivalist thriller Jungle and casting Daniel Radcliffe as the lead.
Where are we at in tackling gender disparity in the screen industry?
In 2018, Screen Australia's Indigenous Department will turn 25.
In the week commencing 3 July 2017, Screen Australia will host Dosin Pak, the World Cinema programmer for Busan International Film Festival.
Cinematographer Ari Wegner on her career, process, and the camera choices that informed The Kettering Incident and new feature Lady Macbeth.
Acclaimed Australian cinematographer Ari Wegner walks us through her career, from Cannes-selected short film Night Shift, to Tasmanian-shot TV The Kettering Incident, to features such as Ruin, and Lady Macbeth.
How director Jonathan Teplitzky’s love of photography led him into cinema and creating the likes of Churchill, The Railway Man and Gettin’ Square.
Producer Melissa Kelly walks us through the film festival release strategy for thriller Hounds of Love and the Western Australian talent that helped make the film a reality.