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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Some of the key cast and crew from the female-driven SBS production share their experience on set.
The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.