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Executive Producer and CEO of Blacksand Pictures Kauthar Abdulalim reflects on her Enterprise journey, reaching international audiences with online stories, and the power of authentic representation in the screen industry.
To mark this year’s International Women’s Day, we’re catching up on the latest female-led Australian screen releases you can watch online this March 8.
Screen Australia and the Australian International Documentary Conference (AIDC) have announced the three finalists of the Fresh Cuts Documentary Pitch Initiative who will receive development funding for their projects – Paradise Camp: Homecoming, In/Out, and Fridge Foraging.
From the The Matrix to 1980s Australia, Gypsy Taylor discusses the art and craft of costuming and the design inspiration behind her most recent projects including Our Flag Means Death, The Way We Wore, and soon The Newsreader.
Joanna Beveridge delves into the online world of shipping for her new series, Shippers.
Go behind-the-scenes of five of the Fresh Blood 3 projects and meet the creators of Australia’s newest comedy webseries.
Cannes Critics’ Week Head of the Film Department Rémi Bigot speaks to the opportunities and process behind the illustrious program, and Screen Australia’s Manager, Festivals and Industry Partnerships Dale Fairbairn shares her advice for applying to festivals.
The creative team and cast talk about their battle with leeches and the natural elements in making Force of Nature: The Dry 2.
Looking to apply for Enterprise funding to further your screen business? These industry professionals share advice and learnings from their experience.
AFTRS alumni award-winning filmmaker Warwick Thornton and production designer Bethany Ryan, alongside AFTRS Council Chair Debra Richards, reflect on 50 years of formal screen education in Australia.
Screen Australia is pleased to announce the appointment of Richard Huddleston as Head of Documentary, starting 29 January 2024. Richard will lead the Documentary Unit and report to Director of Content Grainne Brunsdon.
Kitty Green on crafting fiction from fact and directing The Royal Hotel.