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Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.
For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.
Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Ten times Australian stage plays were transformed into films.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
Video on Demand (VOD) is providing docos with a global platform to get their films noticed and experts are calling it a “no-brainer” for Aussie filmmakers.
She’s one of the most accomplished women in film, but Laura Jones hates being the centre of attention.
You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.
The Australia-China screen relationship is deepening in features, children’s programming and documentaries. Let's look into why.
Mad Max: Fury Road roared away from the Academy Awards with six awards – the most trophies won by any movie on the night and Australia’s most successful film at the Oscars® in history.