Director Joseph Sims-Dennett channelled his own nightmares into Observance, a psychological horror that’s chilling audiences around the globe.

Nel Minchin delved into the family archives and turned the camera onto her brother Tim, her family and herself for Matilda & Me.

The Australian Directors Guild (ADG), Screen Australia and Cordell Jigsaw Zapruder (CJZ) announce director Lucy Gaffy as the director’s attachment on upcoming TV drama Bond.

Tim Phillips appointed Head of Producer Offset and Co-production Unit

Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.

For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.

Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.

Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?

Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.

Ten times Australian stage plays were transformed into films.

The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.