In the scheme of things, there really haven’t been that many operas written specifically for TV. The most enduring have been the seasonal favourite, Menotti’s Amahl and the Night Visitors, Britten’s Owen Wingrave, Stravinsky’s The Flood and, in Australia, Peter Sculthorpe’s Quiros (written for the 50th anniversary of the ABC in 1982).

ABC heads of department and Screen Australia managers give you the lowdown on how to work with iview as a marketplace attachment for Screen Australia funding. And, what type of content iview is looking for.

You can attend a talk by John when he's in Sydney next week, or stream it online.

Fragments of Friday is a new Aussie web series about three friends trying to figure out what they’d done on their Friday nights.

Apply now for available Screen Australia travel grants to the Asian Animation Summit.

While novels have been a longstanding staple of screen material, this year sees an unprecedented number of stage plays translated to film by some of the most established names in theatre.

Never has it been more challenging to do what we do. But just what the future holds for the Australian film industry is up to us. Put simply, we have a choice – evolve or risk becoming obsolete.

Our latest Hot Shops workshop paired the five Hot Shots filmmaking teams with experienced Heads of Department for two days to enhance and develop their projects.

The Australian Directors Guild (ADG) and Screen Australia today announced a director’s attachment for Mel Gibson’s upcoming feature Hacksaw Ridge which will be filmed in Australia in October.

Sporting a dishevelled look of longer hair and a beard that sent his legion of admirers into a frenzy at Cannes recently, Baker shares some thoughts about his latest project Breath.

MIPCOM 2015 is in Cannes, France, from 5-8 October 2015. The four-day content market plays host to more than 13,000 professionals from over 100 countries. Delegates secure content development partnerships and international distribution deals for the year ahead.