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First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Director James Wan on Australian crews, locations and the importance of story.
Some of the key cast and crew from the female-driven SBS production share their experience on set.
The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.