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How executive producers Fiona Eagger and Deb Cox turned the Phryne Fisher book series into a global franchise.
What you need to know about ‘the bible’ of all screen productions: the finance plan.
Production designer Sam Hobbs gives an in depth look into the role of a production designer.
In this quick guide, we outline what Screen Australia does and how creators can access the agency’s funding and resources.
The Nightingale writer/director Jennifer Kent on ideas that demand to be told and distribution for independent cinema.
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
Screen Australia Project Manager Kelly Vincent walks us through the ins and outs of creating a strong application with an accurate budget.
From today, Producer Offset Final Certificate applicants will be required to expressly declare PDV work completed in Australia.
Producers have until 20 December 2019 to apply to acquire Screen Australia’s recoupment entitlement for all pre-1 January 2009 production investments.
Projects that are approved for Screen Australia production funding from 1 July 2019 will be subject to the SPA/MEAA Australian Screen Industry Code of Practice: Discrimination, Harassment, Sexual Harassment and Bullying (‘Screen Industry Code of Practice’).
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.