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Deborah Mailman discusses the return season of Total Control and the emotional rollercoaster ride in store for her character – and audiences.
Australian children’s TV continues to shine under pressure, whether that’s winning Emmys, selling internationally or launching careers.
Preppers co-creator, co-writer and star Nakkiah Lui on shooting a comedy about doomsday prepping in the midst of a pandemic.
Screen Australia has reached the midpoint of its three-year Gender Matters KPI and remains on track to meet the goal, with 55% of key creative roles across approved development and production funding held by women in 2020/21.
Producer Cody Greenwood got dozens of tracks from the world’s biggest names for Australian documentary Under the Volcano. Here’s how it happened.
Screen Australia’s new Head of Documentary Alex West and the documentary team on the local factual sector, applying for funding and what’s ahead.
Director Corrie Chen discusses the challenges recreating 1850s Australia for the new SBS series New Gold Mountain.
Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.
Leah Purcell reflects on her time making the classic Australian film, Lantana.
Director of Photography Martin McGrath reflects on his time making the classic Australian film, Muriel’s Wedding 27 years after its cinematic release.
Journalist and presenter Marc Fennell on navigating a constantly changing industry and the personal impact of the ABC series The School That Tried to End Racism.
The key creatives behind All My Friends Are Racist talk about the authorship that ensured a comedy like no other.