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Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
Some of the key cast and crew from the female-driven SBS production share their experience on set.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Series one of Mako Mermaids is a big hit abroad – and not just in the children’s drama space. The financial data proves it.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.