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Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Series one of Mako Mermaids is a big hit abroad – and not just in the children’s drama space. The financial data proves it.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.
The filmmakers behind Cargo unpack the journey from Tropfest to making their debut feature, and getting picked up by Netflix.