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The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Series one of Mako Mermaids is a big hit abroad – and not just in the children’s drama space. The financial data proves it.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
VFX Supervisor Will Reichelt and CEO Zareh Nalbandian on the complexities of live-action/animated filmmaking.
Go behind the scenes on The Justine Clarke Show! with Justine and Dash the dog.
Some of the biggest challenges of the review acutely apply to children’s content including out-of-date regulation, market failure and commerce vs culture.
International Emmy® Award-winning dirtgirlworld co-creator Cate McQuillen talks about expanding the kid’s series into the live action Get Grubby TV and building up the Northern Rivers talent pool.
My Year 12 Life creator/producer Laura Waters and two of the docu series' subjects Charlie and Trianna chat about making the show.