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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
Some of the biggest challenges of the review acutely apply to children’s content including out-of-date regulation, market failure and commerce vs culture.