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The myth of the ‘overnight success’ story can make it seem like this is an easy, and inexpensive route to becoming a filmmaker.
Ian Collie, partner/Head of Scripted at Essential Media and Entertainment, on the format rights to Rake - which have been optioned in the US and France.
Comparing film school and employment data.
The Dendy/Icon Group team behind Last Cab to Darwin's success discuss the journey behind the release.
Many want the Producer Offset pushed up to 40% for all television that’s currently eligible. Who wouldn’t want government money if it’s on offer … ?
The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Film producers are always knocking on Screen Australia’s door because there’s money behind it.
Sixteen relatively recent Australian TV shows have earned more than $1 million each in gross revenue, and nearly $43 million as a group.
Cineflix Rights handles international sales on the Australian drama Secrets & Lies, which was made by Hoodlum for Network Ten. Chris Bonney discusses the show and the sales scene generally.
Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
A case study on the representation of women in Australian cinematography.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.