RED DOG: True Blue director Kriv Stenders hopes Australian kids continue to embrace locally made films and television – but not because they have to. Because they are just that good.

Filmmakers with new theatrical feature films yet to screen internationally take note: Screen Australia will be hosting two VIPs from Cannes.

At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.

After the success of Tales From Tinder, filmmaker Emma Watts and her team were able to put some money behind their next series, No Strings Attached.

MIPCOM 2016 attendees from the Australian screen industry reveal the trends, the takeaways from the marketplace and more.

Feature film funding from Screen Australia at a grant level (at or less than $500,000) will no longer need to submit a provisional certificate application unless requested.

Screen Australia CEO Graeme Mason today made a keynote at Screen Forever 2016.

Screen Australia is supporting creatives from 10 different Australian companies to travel to the International Drama Summit at Content London 2016.

Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.

Screen Australia is offering marketing support for producers to attend next year’s European Film Market (EFM).

Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.

Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.