Screen Australia is supporting creatives from 10 different Australian companies to travel to the International Drama Summit at Content London 2016.

Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.

Screen Australia is offering marketing support for producers to attend next year’s European Film Market (EFM).

Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.

Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.

Screen Australia is an investor in many of the Australian feature films that find their way into cinemas. The agency requires a sales agent – among other things – to be attached to each film so it has the best chance of being pushed out onto the world stage.

Screen Australia’s Chief Executive Officer Graeme Mason, Chief Operating Officer Fiona Cameron and Head of Production Sally Caplan will embark on a seven-city tour of the country.

SCREEN FOREVER is just around the corner, so here are some of the highlights announced so far.

Film producers are always knocking on Screen Australia’s door because there’s money behind it.

Toby Wallace says it’s important for young Aussies to see themselves reflected, whether it’s in films like Boys in the Trees or TV shows like Puberty Blues.

Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.

Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.