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One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
Joe Cinque’s Consolation director, co-producer and co-writer Sotiris Dounoukos on adapting Helen Garner’s book for the screen in his native Canberra.
Rosehaven’s Luke McGregor on his increased admiration for Rob Sitch and why Tasmania is the next Hollywood.
As The Wrong Girl and Deep Water hit screens Twitter’s Tony Broderick talks about the Screen Australia initiative helping these TV dramas.
Many doors swung open for writer/director Neil Triffett and producer Lee Matthews as a result of the short film EMO the Musical being selected for the Berlinale and subsequently earning a special mention from the jury.
Screen Australia’s Gender Matters initiative took centre stage at this year’s Toronto International Film Festival at the industry panel Women at the Helm: Because its 2016
In an effort to address the lack of opportunity for entry-level female television screenwriters, producer Imogen Banks (Offspring) and screenwriter Alice Bell (Puberty Blues) have launched Smart For a Girl: Roar.
Maryanne Redpath, from the Berlin International Film Festival (Berlinale) will be here in October to view new Australian feature films eligible for selection for the 2017 festival.
We know, we know. You just haven’t had the chance to look at that notification letter from the Australian Bureau of Statistics (ABS) yet.
From the red carpet at Lion’s world premiere to the Screen Australia stand in the Industry Centre, here's what happened at TIFF.
Screen Australia-funded film Lion made its world premiere at TIFF and was voted People’s Choice Award, First Runner Up.
Emerging Australian filmmakers Nicholas Verso and Sotiris Dounoukos had films selected in TIFF’s Discovery section and were supported by Screen Australia to attend Toronto and present these.