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Australians in Film’s Peter Ritchie on working in Hollywood and their call-out for new voices to learn from some of the biggest names in the business.
Author, playwright and screenwriter Debra Oswald reflects on Offspring, the writing process and developing her new novel for screen.
The showrunners of Wakefield on plotting the eight-episode ABC TV series, how music influences their writing, and the challenges and silver linings of a COVID-19 shutdown.
Liz Doran talks about the challenges of jumping from writing to producing for SBS series The Tailings and why mentorship works.
The free industry resource to help finance, exploit and make sure you’re getting the best deals on your projects.
To mark the 20th anniversary of Moulin Rouge!, writer, director and producer Baz Luhrmann and production and costume designer Catherine Martin look back on making the movie musical.
The Netflix ANZ team on what they’re looking for, seeing too much of, what you need before you pitch, and how they want the next global hit to come from Australia.
Producers Hayley Adams and Michelle Melky on tapping into the huge audience and storytelling potential of TikTok.
Writer Vanessa Gazy on creating new Stan Original series Eden, developing TV with Netflix, and how to nail a pitch.
Director Cian O’Clery on his unconventional path to documentary through to co-creating Love on the Spectrum – an original Australian concept that’s being watched across the globe.
Director Stevie Cruz-Martin breaks down her collaborative approach to lighting, post-production and working with actors.
Screenwriter Mithila Gupta breaks down writers’ rooms, strategies for hitting deadlines, and the joy of working on Five Bedrooms.