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Learn how much time projects take to develop, how to find the right ‘home’ to pitch to, pitching tips, and more.
Joint managing director Andrew Mackie from Transmission Films on the role of a feature film distributor.
Screen Australia’s Head of First Nations Angela Bates on a prolific 12 months for the department and why she’s optimistic about the future.
Flying Bark Productions Managing Director Barbara Stephen talks 100% Wolf, working across 2D and 3D, and how the animation industry has changed.
To mark the 20th anniversary of Moulin Rouge!, writer, director and producer Baz Luhrmann and production and costume designer Catherine Martin look back on making the movie musical.
Screenwriter Bevan Lee on returning to the characters, tone and world of the Rafters some eight years after waving goodbye.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Screen Australia Project Manager Kelly Vincent walks us through the ins and outs of creating a strong application with an accurate budget.
The producers behind the highest-rating Australian adult TV drama of 2020 – Mystery Road series 2 – discuss new frontier film High Ground and creating stories with something to say.
Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.
The Screen Australia delegation to Cannes and local creatives share insights and takeaways from the prestigious festival and market.
Director Cian O’Clery on his unconventional path to documentary through to co-creating Love on the Spectrum – an original Australian concept that’s being watched across the globe.