×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Play the Screen News podcast in your web browser using the links below, or subscribe via iTunes, Spotify, Stitcher or Pocket Casts.
Producer Naomi Cleaver reveals what it was like producing a huge studio sci-fi drama series in Australia and breaks down the production roles.
Relic director Natalie Erika James discusses moving from short films to features, support from Hollywood, and advice.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Sydney Films’ Head of Production Mark Lazarus gives his advice on making an Official Co-production with China.
A look at Official Co-productions through the eyes of documentary producers who’ve done it.
Australian producer Emile Sherman shares his insights working on Official Co-productions.
The Online team answer questions around types of funding, how to make your application competitive, general advice and more.
Director Paul Clarke breaks down the elements of a music documentary, and the inspiration and process behind his latest feature Midnight Oil: The Hardest Line.
Screen Australia’s Head of Indigenous Penny Smallacombe reflects on a changing industry.
Writer, director and co-producer Peter Duncan on approaching Operation Buffalo like a long feature, looking back on Rake, and career takeaways.
The Heights season 2 script producer Romina Accurso and script editor Hannah Carroll Chapman on writers’ rooms and advice.
Producer Bruna Papandrea from Made Up Stories on why there’s nowhere better than Australia to make film and television.