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Peter Ritchie has been the Executive Director of LA-based Australians in Film since 2015, and knows what does and doesn’t work in the City of Angels.
Causeway Films producer Kristina Ceyton breaks down their tailored approach to film festival releases and the significance they can have.
Screen Australia will host Venice Film Festival (La Biennale di Venezia) pre-selector Paolo Bertolin to view new eligible feature films.
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.