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Peter Ritchie has been the Executive Director of LA-based Australians in Film since 2015, and knows what does and doesn’t work in the City of Angels.
Screen Australia’s Enterprise People program presents an opportunity for up to two screen creatives to undertake a six month placement at Rideback in Los Angeles.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Director Jeremy Sims makes his first foray into factual with a feature doco about Wayne Gardner.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
So you’re an Aussie actor with dreams of Hollywood stardom?