For its 20th anniversary, Scott Hicks looks back on the “long, arduous” process that was developing and financing Shine and why it was worth every minute.

Shelley Birse talks about empowering writers from the set of Screen Australia-supported The Code series 2.

Three years ago, Taryn Brumfitt could never have thought she'd be a filmmaker, but when her personal story went viral, she realised Embrace was needed.

Down Under writer/director Abe Forsythe reveals the road he took to write and develop a comedy that revolves around a race riot.

Bleeding Steel actor Jackie Chan and Village Roadshow Asia CEO Ellen Eliasoph share their advice for Australian filmmakers wanting to work with China.

Robert Connolly talks about risk-taking as a business principle and how complex novels such as Barracuda have found the perfect home in four-part TV series.

Xavier Samuel was beckoned back by Belvoir Theatre. A year later, fortuitous timing has led to four features and a TV series shot almost back-to-back.

Co-owner of Pukeko Pictures and Weta Workshop, five-time Academy Award winner Richard Taylor found an opportunity too good to miss with ABC TV’s Cleverman.

Behind the eclectic concepts of Brilliant Stories is a myriad of female voices, some of which have yet to be heard at this level before.

Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.

Jessica Hobbs has directed more than 60 hours of TV drama, from The Slap to Broadchurch. Here she talks career progression.