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Shelley Birse talks about empowering writers from the set of Screen Australia-supported The Code series 2.
Three years ago, Taryn Brumfitt could never have thought she'd be a filmmaker, but when her personal story went viral, she realised Embrace was needed.
Down Under writer/director Abe Forsythe reveals the road he took to write and develop a comedy that revolves around a race riot.
Bleeding Steel actor Jackie Chan and Village Roadshow Asia CEO Ellen Eliasoph share their advice for Australian filmmakers wanting to work with China.
Robert Connolly talks about risk-taking as a business principle and how complex novels such as Barracuda have found the perfect home in four-part TV series.
Xavier Samuel was beckoned back by Belvoir Theatre. A year later, fortuitous timing has led to four features and a TV series shot almost back-to-back.
Co-owner of Pukeko Pictures and Weta Workshop, five-time Academy Award winner Richard Taylor found an opportunity too good to miss with ABC TV’s Cleverman.
Behind the eclectic concepts of Brilliant Stories is a myriad of female voices, some of which have yet to be heard at this level before.
Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.
Vicki Madden’s enviable career encompasses police dramas in the 90s, running The Bill in the UK and co-creating The Kettering Incident back home in Tassie.
Jessica Hobbs has directed more than 60 hours of TV drama, from The Slap to Broadchurch. Here she talks career progression.
The landscape has a starring role in Foxtel’s new drama series The Kettering Incident. Shot entirely in southern Tasmania, the eight part series is described by producers as a mystery with otherworldly tones which fits right in with the Modern Gothic genre associated with the island’s haunting beauty. Early glimpses of the show suggest it has a look similar to the empty majestic landscapes that were such a strong element in Top of the Lake.