With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.

Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.

The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.

Hoping to give an emerging Australian filmmaker their big break at Tropfest, the revived short film festival has announced the Oscar-winner will be one of this year’s judges.

Never underestimate the intern. That’s one take-home message from Cleverman, the six part drama series that premieres at the Berlinale Film Festival before its ABC TV debut later this year.

Producer John Molloy talks about tapping into the nation’s nostalgia with Channel 7’s new miniseries Molly.

Written and wrapped at breakneck speed, script producer Timothy Hobart talks about the ride that has been Wanted and why we need more shows like it.

When Molly airs, it will kick off another year of miniseries based on the lives of Australian personalities – a trend that isn’t showing signs of slowing.

Lynette Wallworth’s Collisions, screening as part of this year’s Sundance film festival, provides a visceral look at a uniquely Australian story.

Actor Radha Mitchell returns to her homeland for her first Australian film in half a decade with Looking for Grace.

Here’s a dozen times Australian locations became their own pivotal characters in television.

Epic genre series Cleverman is selected for Berlinale, not only commending the quality of Indigenous storytelling, but changing attitudes toward television too.