Director Jennifer Peedom tells us how the Sherpa team managed when the deadly force of nature reared its head in the midst of filming on Everest.

Director Joseph Sims-Dennett channelled his own nightmares into Observance, a psychological horror that’s chilling audiences around the globe.

Nel Minchin delved into the family archives and turned the camera onto her brother Tim, her family and herself for Matilda & Me.

Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.

For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.

Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?

Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.

Ten times Australian stage plays were transformed into films.

The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.

She’s one of the most accomplished women in film, but Laura Jones hates being the centre of attention.

You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.

Embracing change, this year’s Berlinale provided the perfect platform for Australian creatives working far beyond their comfort zones.