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Producers Hayley Adams and Michelle Melky on tapping into the huge audience and storytelling potential of TikTok.
The Netflix ANZ team on what they’re looking for, seeing too much of, what you need before you pitch, and how they want the next global hit to come from Australia.
To mark the 20th anniversary of Moulin Rouge!, writer, director and producer Baz Luhrmann and production and costume designer Catherine Martin look back on making the movie musical.
The free industry resource to help finance, exploit and make sure you’re getting the best deals on your projects.
Liz Doran talks about the challenges of jumping from writing to producing for SBS series The Tailings and why mentorship works.
The showrunners of Wakefield on plotting the eight-episode ABC TV series, how music influences their writing, and the challenges and silver linings of a COVID-19 shutdown.
Author, playwright and screenwriter Debra Oswald reflects on Offspring, the writing process and developing her new novel for screen.
Australians in Film’s Peter Ritchie on working in Hollywood and their call-out for new voices to learn from some of the biggest names in the business.
From working with Netflix to tips for building an audience on YouTube, Aunty Donna director Max Miller talks through the rise of the Australian sketch comedy group.
The producers behind the highest-rating Australian adult TV drama of 2020 – Mystery Road series 2 – discuss new frontier film High Ground and creating stories with something to say.
Producer Bruna Papandrea from Made Up Stories on why there’s nowhere better than Australia to make film and television.
The Dry star Eric Bana and co-writer/director Robert Connolly on bringing a bestselling novel to life on the big screen.