Screen Australia’s outgoing Head of Content Sally Caplan reflects on her eight years at the agency, changes in the screen sector, advice to applicants and more.

Head of Content Tyler Bern talks through the strategy for Amazon Prime Video Australia, what they want from pitches, and new hires.

Amid record-breaking numbers in the 2020/21 Drama Report, executive producers behind Fires, Hardball and Spreadsheet provide insights into what production has been like.

From Lion to The Mandalorian, Dune and soon The Batman, Australian director of photography Greig Fraser ACS, ASC charts his story-driven approach.

Australian cinematographer Ari Wegner ACS discusses the making of The Power of the Dog, from working with Jane Campion to the New Zealand shoot.

Preppers co-creator, co-writer and star Nakkiah Lui on shooting a comedy about doomsday prepping in the midst of a pandemic.

Producer Cody Greenwood got dozens of tracks from the world’s biggest names for Australian documentary Under the Volcano. Here’s how it happened.

Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.

Journalist and presenter Marc Fennell on navigating a constantly changing industry and the personal impact of the ABC series The School That Tried to End Racism.

Screenwriter Bevan Lee on returning to the characters, tone and world of the Rafters some eight years after waving goodbye.

Screenwriter Jon Bell discusses co-writing on RFDS, and bringing a First Nations perspective to the horror genre with his short film The Moogai.

Screenwriter, creator and producer Michael Lucas on making the most of a long development period and paying opportunities forward.