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How writer and story editor Ryan O’Connell (Will & Grace) teamed up with an Australian director, the star of The Big Bang Theory and Netflix to create a comedy like no other.
Hear about the origins of Stan, why original programming matters, and what the future of television in Australia could look like.
Judy & Punch writer/director Mirrah Foulkes on working with VICE Studios to bring her first feature film to life.
Screen Australia COO Michael Brealey talks through the trends and takeaways from the Drama Report, and bigger picture thoughts on the state of the sector.
Learn how much time projects take to develop, how to find the right ‘home’ to pitch to, pitching tips, and more.
Head of Documentary Bernadine Lim on applying for funding from Screen Australia and proposed changes to guidelines.
Screen Australia CEO Graeme Mason reflects on Toronto International Film Festival 2019 and looks toward MIPCOM and beyond.
Producers John and Dan Edwards on Les Norton and keeping up with the changes in Australian TV.
Producer Joanna Werner talks through the Gender Matters KPI alongside her thoughts on the industry.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Expert advice on the Producer Offset – the tax rebate for Australian content.
Screen Australia Project Manager Kelly Vincent walks us through the ins and outs of creating a strong application with an accurate budget.