Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.

Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.

Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.

Screen Australia is an investor in many of the Australian feature films that find their way into cinemas. The agency requires a sales agent – among other things – to be attached to each film so it has the best chance of being pushed out onto the world stage.

Film producers are always knocking on Screen Australia’s door because there’s money behind it.

Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.

Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.

Joe Cinque’s Consolation director, co-producer and co-writer Sotiris Dounoukos on adapting Helen Garner’s book for the screen in his native Canberra.

Many doors swung open for writer/director Neil Triffett and producer Lee Matthews as a result of the short film EMO the Musical being selected for the Berlinale and subsequently earning a special mention from the jury.

As Electric Pictures brainstormed a way to expand its audience, they unearthed a gem of their own with Aussie Gold Hunters.

Take a look at the latest moves and news about those Aussies taking the world by storm, including Cate Blanchett, Rose Byrne, Animal Logic and Iloura.

Spin Out co-director/writer Tim Ferguson on the next revolution in the screen industry: giving a voice to filmmakers and actors with a disability.