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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Screen Australia’s Producer Offset Guidelines have been updated with the changes applying to productions that commenced principal photography on or after 1 July 2021.
Screen Australia’s revised Story Development Guidelines will streamline application processes commencing 1 July 2023.
Screen Australia’s Enterprise People program presents an opportunity for two specialist creatives to undertake a six month placement with Wooden Boy Productions in Portland, Oregon, USA working on Guillermo del Toro’s Pinocchio.
Australian company Gyde wants to help the Australian industry combat piracy and connect audiences with film & TV through their patented technology.
Producer Bill Mechanic reveals why films like Hacksaw Ridge are “pretty impossible” to get made and the Australians that made it happen.
Safe Harbour co-writer and showrunner Belinda Chayko breaks down how they mapped out and wrote the complex, compelling drama – and why television is the home for original Australian voices.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Screen Australia has today announced the appointment of Natalie Buck as Head of Legal Services and Producer Offset and Co-Production, commencing Monday 2 August 2021.
Screen Australia has announced the appointment of Irene McMonnies as Head of Legal Services and Producer Offset and Co-Production, commencing 9 May 2022.
Screen Australia is pleased to announce the appointment of Bobby Romia as Head of Development, starting 30 January. Bobby will lead the Development Unit and report to Head of Content Grainne Brunsdon.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
How to emotionally and psychologically survive and thrive in the entertainment industry.