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Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Children's animation producers are invited to apply to participate in the Asian Animation Summit, which will be held in Hanoi.
Screen Australia is once again offering marketing support, plus discounted registration, for Australians attending the International Drama Summit at Content London.
From the lead roles in the US, to the new audiences from Poland to Mexico – we check in with our local talent taking on the world.
Australian creatives, stars and projects – and the stories they create – continue to be in high demand across the globe.
Last Cab To Darwin cost nearly $4 million to make and it’s expected to attract $8 million in ticket sales from Australia and New Zealand alone. So how come nobody got rich?
Causeway Films producer Kristina Ceyton breaks down their tailored approach to film festival releases and the significance they can have.
Mad Max: Fury Road editor Margaret Sixel on the practicalities of recreating George Miller’s famous dystopian world.
Screen Australia's Enterprise program is proposed to return in 2014/15 with a focus on people, stories and growth.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
Screen Australia has announced funding of up to $400,000 toward the targeted initiative.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.