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Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Screen Australia’s Development staff are holding explainer sessions for the new Enterprise program.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
The entertainment industry celebrates the achievements of Liam Hemsworth (Excellence in Film), Deborah Riley (Outstanding Achievement in Film and Television) and Helen Reddy (Lifetime Achievement Award).
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.