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A case study that deep dives into the representation of women in Australian animation.
Screen Australia’s Enterprise People program presents an opportunity for up to two screen creatives to undertake a six month placement at Rideback in Los Angeles.
Miranda Tapsell and Wayne Blair sit down with Screen News to discuss the making of their new film Top End Wedding.
The year was 1992. Paul Keating was our Prime Minister, the Olympic Games were held in Barcelona and Billy Ray Cyrus’ Achy Breaky Heart topped the ARIA Charts.
Effective immediately, Screen Australia will cease processing applications for the Producer Equity Program (PEP) for the remainder of the 2018/19 financial year.
Screen Australia is pleased to offer Australian producers a reduced registration rate and access to a stand in the marketplace at this year’s Sunny Side of the Doc.
Investment managers Lee Naimo and Alyce Adams dish out all their tips when it comes to applying for online funding at Screen Australia.
Hear from the creative teams behind some of Australia's most successful YouTube channels who have received a share in over $500k in funding through the Screen Australia and Google funded Skip Ahead Initiative.
Meet the six members of the comedy troupe Aunty Donna and get a glimpse into their new series Glennridge Secondary College.
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.