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Meet the two brothers behind one of Australia's most successful YouTube channels.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Director Stephen McCallum shares his experience making his debut feature film, 1%.
The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
Director Benjamin Gilmour reveals the extraordinary story of how his latest film Jirga was filmed in Afghanistan.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Ladies in Black producers Sue Milliken and Allanah Zitserman break down the financing and distribution of their new feature.
Director Ben Lawrence discusses his feature documentary Ghosthunter: “everything I thought the film was going to be, it was something else entirely.”
Legendary Australian director Bruce Beresford shares his experience directing his latest film Ladies in Black.