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The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Look back on some of the best Australian screen stories and industry moments of 2018, and get a sneak peek at what’s to come in 2019.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Ten years after its first iteration, Screen Australia’s hugely successful industry development program Enterprise will return in 2019.
Madeleine Madden, Aaron Pedersen, Angourie Rice and Ryan Corr are among the Aussie actors on the red carpet for the 8th AACTA Awards.
We take a look at the four new Fresh Blood pilot episodes as they release on ABC iview and ABC COMEDY YouTube.