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Producer Joanna Werner talks through the Gender Matters KPI alongside her thoughts on the industry.
Screen Australia has updated its guidelines for Drama and Children’s Programs to make clear when the agency will consider investing in second seasons for television.
Core to the Screen Australia Indigenous Department’s The Next 25 Years strategy is making connections with new talent and assisting creators in taking advantage of the range of opportunities available.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Director Rachel Ward delves into the making of her latest feature Palm Beach.
Screen Australia’s Premium Fund is allowing established creators to hone their craft, and for Adele Vuko, expand ideas.
Screen Australia’s Generate Fund is making way for more autonomous, creator-driven storytelling, including an adaptation of an Australian classic by writer/director Nicholas Verso.
Expert advice on the Producer Offset – the tax rebate for Australian content.
An analysis of three years of sales and distribution deals.
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
Screen Australia’s Enterprise People program presents an opportunity for two specialist creatives to undertake a six month placement with Wooden Boy Productions in Portland, Oregon, USA working on Guillermo del Toro’s Pinocchio.
Funding models open doors for emerging and established creators.