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Producer Daniel Joyce on Martha: A Picture Story, the importance of festivals for documentaries, plus commissions vs acquisitions.
Peter Ritchie has been the Executive Director of LA-based Australians in Film since 2015, and knows what does and doesn’t work in the City of Angels.
Two and a half years since Screen Australia's Inclusivity Attachment Scheme was introduced, people who worked on the likes of Penguin Bloom and The Gloaming share their thoughts.
Hear about the origins of Stan, why original programming matters, and what the future of television in Australia could look like.
Judy & Punch writer/director Mirrah Foulkes on working with VICE Studios to bring her first feature film to life.
Writer/director Mirrah Foulkes and cinematographer Stefan Duscio ACS discuss reimagining the classic Punch and Judy puppet show for the big screen.
A decade after the viral sensation Beached Az first landed online, the animation is back with 10-part web series Beached Aziversary.
Screen Australia is a Commonwealth Government Agency, and successful funding applications are published in various ways.
Screen Australia COO Michael Brealey talks through the trends and takeaways from the Drama Report, and bigger picture thoughts on the state of the sector.
An extra amount of non-recurring funding is available.
Managing Director of Matchbox Pictures Alastair McKinnon, discusses the opportunities and issues surrounding the production of television within Australia and how Matchbox has succeeded.
Learn how much time projects take to develop, how to find the right ‘home’ to pitch to, pitching tips, and more.