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Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
Australian producer Kylie du Fresne from Goalpost Pictures on Upgrade, the genre feature she produced with Jason Blum.
The Black List founder Franklin Leonard on how the company is partnering with Warner Bros. and Veerhuis Pictures to help unearth Australian screenwriting talent.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.
A closer look at the new Screen Story Development Fund guidelines at Screen Australia from two of the people that helped craft them.
From 1 August 2018, applications for provisional approval as an Official Co-production must be made through Screen Australia’s online application portal.
Secure a seat at Screen Australia's free one-day forum led by renowned US producer Sheila Hanahan Taylor (Final Destination, Oddball).
Director, producer and one of the stars of Brothers' Nest, Clayton Jacobson, shares his experience making the film.
Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.