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What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.
Writer/director Billie Pleffer shares her experience creating Deadlock, the new youth-focused series for ABC iview.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
Australian producer Kylie du Fresne from Goalpost Pictures on Upgrade, the genre feature she produced with Jason Blum.
The Black List founder Franklin Leonard on how the company is partnering with Warner Bros. and Veerhuis Pictures to help unearth Australian screenwriting talent.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.
A closer look at the new Screen Story Development Fund guidelines at Screen Australia from two of the people that helped craft them.
From 1 August 2018, applications for provisional approval as an Official Co-production must be made through Screen Australia’s online application portal.