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Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
The producer and founder of Practical Pictures on the art of pitching – what to do, what not to do – and how the Australian industry is different to the US.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.
Writer/director Billie Pleffer shares her experience creating Deadlock, the new youth-focused series for ABC iview.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
Australian producer Kylie du Fresne from Goalpost Pictures on Upgrade, the genre feature she produced with Jason Blum.
The Black List founder Franklin Leonard on how the company is partnering with Warner Bros. and Veerhuis Pictures to help unearth Australian screenwriting talent.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.