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Maryanne Redpath, Berlin International Film Festival (Berlinale) selector and section head, will be in the country in September to view new Australian films for pre-selection for the festival in 2019.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
Director Jeremy Sims makes his first foray into factual with a feature doco about Wayne Gardner.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
Hannah and Eliza Reilly created, wrote, directed and star in Sheilas – a web series that shines a light on some awe-inspiring women of Australian history.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
The producer and founder of Practical Pictures on the art of pitching – what to do, what not to do – and how the Australian industry is different to the US.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.