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Director James Wan on Australian crews, locations and the importance of story.
Some of the key cast and crew from the female-driven SBS production share their experience on set.
The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.
Meet the two brothers behind one of Australia's most successful YouTube channels.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Director Stephen McCallum shares his experience making his debut feature film, 1%.
The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
Director Benjamin Gilmour reveals the extraordinary story of how his latest film Jirga was filmed in Afghanistan.