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Director and producer Sophie Hyde on the pressure of making a second feature film – and why Animals was the story to tell.
Director Catriona McKenzie draws on everything from Kiki and Kitty to How to Get Away With Murder to talk expectations, jumping genres and being adaptable.
The director of The Cry, Safe Harbour, Puberty Blues and upcoming Penguin Bloom reflects on moving into television from ads and other career takeaways.
The Stateless actor reflects on pivotal career steps and the lessons they taught him.
The questions you should be asking yourself if you want to create an online series and make sure it connects with an audience.
From breaking down a script to rehearsals, what to expect from the pre-production process for a director of episodic TV.
The lessons learned journeying from a sole trader to partner in a company that produces 130 hours of TV and feature documentaries every year.
Sue Masters - former SBS Head of Scripted, Network Ten Head of Drama and Head of Drama at ABC - gives her advice.
Joint managing director Andrew Mackie from Transmission Films on the role of a feature film distributor.
To mark International Women’s Day, we’ve put together a list of Australian female creatives whose work you should look out for this year.
The producer behind The King, Animal Kingdom, True History of the Kelly Gang and Lore discusses the realities of creating films and TV in 2020.
How executive producers Fiona Eagger and Deb Cox turned the Phryne Fisher book series into a global franchise.