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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
The Australian and Children’s Screen Content Review aims to make sure that Government policy supports the creation, exhibition and export of Australian screen stories now and into the future.
Speaking at MIFF 37°South, Screen Australia COO Fiona Cameron revealed that 47% of successful production funding applications had female-led creative teams across a two-year average (2015/16 – 2016/17 inclusive).
Screen Australia is once again offering marketing support, plus discounted registration, for Australians attending the International Drama Summit at Content London.
The Venice International Film Festival today announced their 2017 program confirming the selection of four Australian films, including Warwick Thornton’s Sweet Country which will make its world premiere in official competition.
Today Screen Australia launched the new guidelines for the Enterprise Program, which has been redesigned to offer broader opportunities for the development of practitioners and companies.
From 1 August 2017 applications for provisional Producer Offset certificates will be through our new online application portal.
The Australian Bureau of Statistics (ABS) has released the results of its seventh Film, Television and Digital Games Survey covering the financial year 2015/16.
Eleven directors, six screenwriters and ten online creators are being funded by Screen Australia to travel to the USA in June for a series of career growth opportunities.
Producer Melissa Kelly walks us through the film festival release strategy for thriller Hounds of Love and the Western Australian talent that helped make the film a reality.
Screen Australia will host Venice Film Festival programming correspondent Paolo Bertolin in Australia this June, where he will be viewing eligible local films.
The number of people watching film, TV and other content online is growing exponentially. Data shows that 63% of Australians gobbled up stories this way in 2016*.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.