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MIPCOM 2016 attendees from the Australian screen industry reveal the trends, the takeaways from the marketplace and more.
Screen Australia CEO Graeme Mason today made a keynote at Screen Forever 2016.
Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.
Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.
Toby Wallace says it’s important for young Aussies to see themselves reflected, whether it’s in films like Boys in the Trees or TV shows like Puberty Blues.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
Rosehaven’s Luke McGregor on his increased admiration for Rob Sitch and why Tasmania is the next Hollywood.
As The Wrong Girl and Deep Water hit screens Twitter’s Tony Broderick talks about the Screen Australia initiative helping these TV dramas.
In an effort to address the lack of opportunity for entry-level female television screenwriters, producer Imogen Banks (Offspring) and screenwriter Alice Bell (Puberty Blues) have launched Smart For a Girl: Roar.
Jessica Mauboy and producer Karl Zwicky on how the Channel Seven series came about – and why it’s a big moment for diversity.
As Electric Pictures brainstormed a way to expand its audience, they unearthed a gem of their own with Aussie Gold Hunters.
Take a look at the latest moves and news about those Aussies taking the world by storm, including Cate Blanchett, Rose Byrne, Animal Logic and Iloura.