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We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Writer, producer and showrunner Dominic Minghella on the highs and lows of creating TV such as Doc Martin, Robin Hood and US series Knightfall.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Look back on some of the best Australian screen stories and industry moments of 2018, and get a sneak peek at what’s to come in 2019.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Some of the key cast and crew from the female-driven SBS production share their experience on set.
The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.