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The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.