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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
Actor Yael Stone on her serendipitous route to being on series across Netflix, Amazon Prime and HBO, and what she would impart to budding actors.
The creators of new SBS On Demand series Homecoming Queens take us behind the scenes of their comedy inspired by real life.
The creators of SBS On Demand’s first commission Homecoming Queens are tearing down traditional storytelling formats – they reveal how and why.
Projects approved for Screen Australia production funding from 2 April 2018 need to comply with the Code.
Director Adrian Russell Wills talks about his new documentary Black Divaz, which follows the inaugural Miss First Nation drag pageant.
As Bunya Productions goes from strength to strength, its producers discuss remote locations, IP and tackling TV.